Sansan Abri (Tehran, 1984) and Dadbeh Bassir (1978 Tehran) swap the camera’s viewfinder for a kaleidoscopic prism.
Their approach to experimentation explores physical and un-pretentious techniques, revealing a bittersweet gaze onto a skyline laced with intoxicating memories and the speed of change. The two-man show embraces photography as poetic introspection, distancing itself from the flamboyant spectacle of digital wizardry, which characterized the first decade of the 21st century.
