This work serves as a review of the imagination of the American West moved to the geography of Huesca (Spain), which was the setting for the filming of thirty spaghetti westerns from the 60s and 70s of the twentieth century.
A cowboy leaves behind him a completely deserted village and moves through the landscapes of many films in which Huesca is disguised as Texas, in a movement that is not only geographical but also temporal and which culminates in the present moment.
