New concert at the 25th Palma Ancient Music Festival by Josetxu Obregón, who plays music from the 17th and 18th centuries on a baroque cello.
The capella was the main musical institution during the Renaissance and the Baroque. For the first time in history, Domenico Gabrieli and Giovanni Battista Vitali, musicians from the San Petronio Basilica in the Italian city of Bologna, gave the cello the role of a solo instrument. Many years later, the German composer Johann Sebastian Bach, Kapellmeister at the court of Köthen, brought the cello to its apogee with his six solo cello suites.
The CelloEvolution concert. From Bologna to Köthen is made up of:
Suite no. 2, in D minor, BWV 1008, by Johann Sebastian Bach (1685-1750)
Prelude
Sonata IX, by Domenico Galli (1649-1697)
Suite no. 2, in D minor, BWV 1008, by Johann Sebastian Bach
Germany
Ricercar Sesto, by Domenico Gabrielli (1651-1690)
Suite no. 1, in G major, BWV 1007, by Johann Sebastian Bach
Courant
Capriccio Quarto, by Giuseppe Maria Dall'Abaco (1710-1805)
Romanella in D minor, by Giulio de Ruvo (17th-18th centuries)
Suite no. 5, C minor, BWV 1011, Johann Sebastian Bach
sarabande
Toccata V, by Francesco Paolo Supriano (1678-1753)
Romanella in A minor, by Giulio de Ruvo (17th-18th centuries)
Suite no. 4 in E flat major, BWV 1010, by Johann Sebastian Bach
Bourrees I & II
[Giga], by Giuseppe Colombi (1635-1694)
Capritio, by Giovanni Battista Vitali (1632-1692)
Suite no. 3, in C major, BWV 1009, by Johann Sebastian Bach
Jig
