For the artist Adrián García (Tetuán, 1969), we live in a pragmatic moment where there seems to be no room for certain approaches today understood as deficiencies. The Proyecto Marvel proposes the creation of a series of removable constructions in which the provisional nature of the tent is combined with the solemnity of the triumphant Gothic.
This hybridization speaks of how values historically understood as solid, elevated and eternal, are part of a practical universe more interested in package than in content.
