It is the first solo exhibition of Julia Geiser (1987), a young Swiss multidisciplinary artist who immerses in slippery territories which the establishment of the art sector tries to dodge.
In C'est pas la vie, c'est toi cherie she presents digital collages made primarily with PhotoShop works as One of infinity, in which she questions the practice of showing limited editions of images to manipulate the prices of artworks through the artificial control of the copies in circulation.
