The work of Hungarian artist Zsuzsi Csiszér is recognized by an inexhaustible inventiveness with which he intends to question the media and consumer society. Through autonomous visual language and a complex pictorial structure, Csiszér expresses a game of contradictions and stereotypes in a lively and exciting way.
In Final Cut, the artist brings into his pictorial world this term used in film production to designate the final version of the film. It raises a sequence of individual images in which he combines oil folios creating the effect of a number of fragments of paper.
