Since in 1964 Peter Brook staged Marat-Sade in London, this work has become a benchmark for theater companies. Sa Boira now presents a new proposal for this already mythical title within the European theater scene.
Marat-Sade, located temporarily in the year 1080, recalls the murder of Jean Paul Marat at the hands of Carlota Corday through the staging by the inmates at the Charenton asylum run by the Marquis de Sade. A piece of meta-theater that drinks from the theater of cruelty of Artaud and the poor theater of Grotowski, with influences from the epic theater of Bertold Brecht.
The fact that the actresses and the actors of the company Sa Boira are blind, far from being a problem, is another incentive to remove all the nuances and subtleties that this piece contains.
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