The videographic work proposed by Joan Bennassar Cerdà (Palma, 1991) examines the relationship between nature and culture, investigating the ecological, economic and political implications of our commitment to the material world.
The scenarios of The sun is gone but we still have the view are: a dome in Germany; An old zeppelin factory of the USSR, where a tropical island of the Pacific has been recreated; The caves of the Drac in Mallorca illuminated with neon lights; And a great ski resort in the desert of Dubai.
Joan Bennassar Cerdà is one of the emerging Spanish artists that, from the conceptual form, integrates different discourses where the ways of inhabiting and understanding the space are fundamental.
