The work of Lucía Vallejo (Bilbao, 1975) is a manifestation of the double transfer movement between East and West, though its artistic starting point is the study of European Baroque, impregnated with Christian religious symbols, representations of royalty, reproductions of an idealized nature and in general cultural concepts of our own civilization.
In Reveries, the artist speaks of the burden of absence and loss, physical and psychological emptiness and clothing as a protective shell of loneliness.
